Arethusa (mythology)

Arethusa by Benjamin West (1802)

In Greek mythology, Arethusa (/ˌærɪˈθjzə/; Greek: Ἀρέθουσα) was a nymph and daughter of Nereus (making her a Nereid),[1] who fled from her home in Arcadia beneath the sea and came up as a fresh water fountain on the island of Ortygia in Syracuse, Sicily.


The myth of her transformation begins in Arcadia when she came across a clear stream and began bathing, not knowing it was the river god Alpheus, who flowed down from Arcadia through Elis to the sea. He fell in love during their encounter, but she fled after discovering his presence and intentions, as she wished to remain a chaste attendant of Artemis. After a long chase, she prayed to her goddess to ask for protection. Artemis hid her in a cloud, but Alpheus was persistent. She began to perspire profusely from fear, and soon transformed into a stream. Artemis then broke the ground allowing Arethusa another attempt to flee.[2] Her stream traveled under the sea to the island of Ortygia, but Alpheus flowed through the sea to reach her and mingle with her waters.[3] Virgil augurs for Arethusa a salt-free passage beneath the sea on the condition that, before departing, she grant him songs about troubled loves, not those in her own future, but those of Virgil's friend and contemporary, the poet Cornelius Gallus, whom Virgil imagines dying from unrequited love beneath the famous mountains of Arcadia, Maenalus and Lycaeus.[4]

Silver decadrachm of Arethusa, minted in Syracuse, Sicily (405-400 BCE)

During Demeter's search for her daughter Persephone, Arethusa entreated Demeter to discontinue her punishment of Sicily for her daughter's disappearance. She told the goddess that while traveling in her stream below the earth, she saw her daughter looking sad as the queen of Hades.[5]

The Roman writer Ovid called Arethusa by the name "Alpheias", because her stream was believed to have a subterranean communication with the river Alpheius, in Peloponnesus.[6][7][8]

Apart from retellings by classical authors including Ovid and Virgil, Percy Bysshe Shelley wrote a poem on Arethusa in 1820. Anne Ridler's "Evenlode" (1959), which she described as "a fable of rivers designed for broadcasting with music," has Alpheus and Arethusa as its main characters.[9]

Coin of ArethusaEdit

As a patron figure of Syracuse, the head of Arethusa surrounded by dolphins was a usual type on their coins.[10] They are regarded as among the most famous and beautiful Ancient Greek coins.[11]

In musicEdit

Karol Szymanowski, polish classical music composer named "The Fountain of Arethusa" first of his three poems entitled "Myths" for violin and piano. The Saucy Arethusa is an 18th-century song about a British naval ship named after Arethusa. A song on the album Her Majesty the Decemberists by The Decemberists called "Shanty for the Arethusa" is about a different ship called Arethusa. A movement of Benjamin Britten's oboe piece Six Metamorphoses After Ovid is entitled "Arethusa."

Also Ralph Vaughan Williams, the English classical music composer, composed "Sea Songs", a quick march for both brass band and wind band written in 1923, used a Morris Dance tune 'The Royal Princess' which was also known by the title 'The Arethusa', alongside two other shanty tunes 'Admiral Benbow' and 'Portsmouth'.

'The Princess Royal' is one of the most celebrated of Turlough O'Carolan's compositions, largely because of its association with the words of the song 'The Aretusa', to which it was set by Shield toward the end of the eighteenth century. The song of 'The Aretusa' originally appeared in a small opera or musical entertainment called 'The Lock and Key', which was acted in 1796. The Princess Royal was composed for the eldest daughter in Carolan's time of The MacDermott Roe of Coolavin. It is perhaps worth mentioning that there is an English folk song, of fairly wide distribution in England which is entitled 'The Princess Royal' but has no connection with Carolan's melody.


Arethusa and AlpheusEdit

Arethusa and DemeterEdit

See alsoEdit


  1. ^ Virgil, Georgics 4.344
  2. ^ Ovid, Metamorphoses 5.710
  3. ^ Pausanias, Description of Greece 5.7.3
  4. ^ Virgil, Bucolics 10.1–15 Virgil; John Van Sickle (2011). Virgil's Book of Bucolics. The Ten Eclogues Translated into English Verse Framed by Cues for Reading Aloud and Clues for Threading Texts and Themes. Baltimore: Johns Hopkins University Press. pp. 109–112. ISBN 0-8018-9799-8.
  5. ^ Ovid, Metamorphoses 5.407
  6. ^ Ovid, Metamorphoses 5. 487
  7. ^ Schmitz, Leonhard (1867). "Alpheias". In William Smith (ed.). Dictionary of Greek and Roman Biography and Mythology. 1. Boston: Little, Brown and Company. p. 133. Archived from the original on 2008-06-13.
  8. ^ Ovid (1997). William S. Anderson (ed.). Metamorphoses. Norman, Oklahoma: University of Oklahoma Press. p. 548. ISBN 0-8061-2894-1.
  9. ^ Ridler, Anne (1994). Collected Poems. Manchester: Carcanet Press. pp. 143–155. ISBN 1-85754-116-2.
  10. ^ Coins of Arethusa (contains verse from Ovid and Shelley); [ "Changes in the Depiction of Arethusa on the Coins of Syracuse", PCGS
  11. ^ Paul Fraser Coins[permanent dead link], "In his definitive 1990 book "Ancient Greek Coins", the numismatist G. K. Jenkins describes Syracusan decadrachms of this period as "perhaps the most famous of all ancient coins"."

External linksEdit