Andrea Brady (born 1974[1] in Philadelphia) is an American poet and lecturer at Queen Mary. She studied at Columbia University and the University of Cambridge[2] Her academic work focuses on contemporary poetry and the early modern period.[3] She is the curator of the Archive of the Now[4] and the co-editor (with Keston Sutherland) of Barque Press.[3]
Andrea Brady | |
|---|---|
| Born | 12 August 1974 Philadelphia |
| Occupation | Poet, lecturer |
| Nationality | American |
| Education | Columbia University University of Cambridge |
| Genre | Poetry |
Publications edit
Poetry edit
- Vacation of a Lifetime (Cambridge: Salt, 2001).
- Embrace (Glasgow: Object Permanence, 2005).
- Wildfire: A Verse Essay (San Francisco: Krupskaya, 2010).
- Mutability: Scripts for Infancy (Seagull Books, 2013)
- Cut from the Rushes (Hastings: Reality Street, 2013).
- Dompteuse (Toronto: Bookthug, 2014).
- The Strong Room (London: Crater Press, 2016).
- Desiring Machines (Boiler House Press, 2021).
- The Blue Split Compartments (Wesleyan University Press, 2021).
Criticism edit
- English Funerary Elegy in the Seventeenth Century: Laws in Mourning (2006) ISBN 140394105X
- The Uses of the Future in Early Modern Europe, co-ed. with Emily Butterworth (2009) ISBN 041599540X
- Poetry and Bondage: A History of Lyric and Constraint (2021) ISBN 9781108990684
References edit
- ^ Ian Hamilton and Jeremy Noel-Tod (eds). The Oxford Companion to Modern Poetry in English, 2nd edition (2013), Oxford University Press, p. 66. ISBN 978-0-19-964025-6
- ^ Dr Andrea Brady, Queen Mary University of London
- ^ a b Andrea Brady, Queen Mary University of London
- ^ Archive of the Now
Further reading edit
- Staff writer (23 September 2002). "Poetry notes: Poems for the people (review of Vacation of a Lifetime)". Publishers Weekly. 249 (38).
- Hall, John (15 September 2003). "Eluded readings: trying to tell stories about reading some recent poems". The Gig.
- Jones, Tom (December 2007). "Andrea Brady's Elections". Litteraria Pragensia: 139–147.
- Kelly, Stuart (Summer 2004). "All lines are busy (review of Cold Calling)". Poetry Review. 94 (2): 95–97. Archived from the original on 20 December 2010. Retrieved 11 March 2015.
- Marsh, Nicky (December 2007). "Going 'glocal': the local and the global in recent experimental women's poetry". Contemporary Women's Writing. 1 (1–2): 192–202. doi:10.1093/cww/vpm014.
- Purves, Robin (2004). "American change: a note on Andrea Brady and the language of consumption". Edinburgh Review, the Darkness Surrounds Us. 114: 177–185.
- Perril, Simon (April 2007). "Two slices of toast: emptiness and disappointment in Peter Manson and Andrea Brady". Symbiosis: A Journal of Anglo-American Literary Relations. 11 (1): 75–88.
- Robinson, Josh (December 2007). ""Abject self on patrol": immaterial labour, affect, and subjectivity in Andrea Brady's Cold Calling". Litteraria Pragensia: 148–157.
- Keston Sutherland, University of Sussex: ‘Vocal Stupor 2: Notes on Love Poetry’, and Jonathan Clay, Birkbeck, University of London: ‘Andrea Brady’s ‘Saw Fit’: Poetic Innovation and Politics’ (New Readings of British Contemporary Poetry, University of Dundee, 3 June 2006).
- Wilkinson, John (December 2007). "Off the grid: lyric and politics in Andrea Brady's Embrace". Chicago Review. 53 (1): 95–115. JSTOR 40784147.
External links edit
- Andrew Duncan. Andrea Brady Interview, The Argotist Online
- Nada Gordon (Fall 1999). Review of Liberties, readme 1
- Marianne Morris (April 2006). ‘Behind the Veil’: Review of Embrace Jacket 29
- John Sears (April 29, 2012). Andrea Brady's Wildfire — Generation in Destruction, temporel: revue littéraire & artistique 13
- Vicky Sparrow (December 6, 2013). Review of Mutability: Scripts for Infancy, literateur.com
- Ashleigh Lambert (January 8, 2014). Review of Mutability: Scripts for Infancy, therumpus.net