Alexandre Dumas fils(Redirected from Alexandre Dumas, fils)
Alexandre Dumas fils (French: [alɛksɑ̃dʁ dyma fis]; 27 July 1824 – 27 November 1895) was a French author and playwright, best known for the romantic novel La Dame aux Camélias (The Lady of the Camellias), published in 1848, which was adapted into Giuseppe Verdi's opera La traviata (The Fallen Woman), as well as numerous stage and film productions, usually titled Camille in English-language versions.
|Alexandre Dumas fils|
Alexandre Dumas fils in his later years
27 July 1824
|Died||27 November 1895 (aged 71)|
Marly-le-Roi, Yvelines, France
|Occupation||Writer, novelist, playwright|
|Related to||Alexandre Dumas père|
|Genre||Historical novel, Romantic novel|
Dumas fils (French for 'son') was the son of Alexandre Dumas père ('father'), also a well-known playwright and author of classic works such as The Three Musketeers. Dumas fils was admitted to the Académie française (French Academy) in 1874 and awarded the Légion d'honneur (Legion of Honour) in 1894.
Dumas was born in Paris, France, the illegitimate child of Marie-Laure-Catherine Labay (1794–1868), a dressmaker, and novelist Alexandre Dumas. In 1831 his father legally recognized him and ensured that the young Dumas received the best education possible at the Institution Goubaux and the Collège Bourbon. At that time, the law allowed the elder Dumas to take the child away from his mother. Her agony inspired the younger Dumas to write about tragic female characters. In almost all of his writings, he emphasized the moral purpose of literature; in his play The Illegitimate Son (1858) he espoused the belief that if a man fathers an illegitimate child, then he has an obligation to legitimize the child and marry the woman (see Illegitimacy in fiction). At boarding schools, he was constantly taunted by his classmates because of his family situation. These issues profoundly influenced his thoughts, behaviour, and writing.
Dumas' paternal great-grandparents were Marquis Alexandre-Antoine Davy de la Pailleterie, a French nobleman and Général commissaire in the Artillery in the colony of Saint-Domingue—now Haiti—and Marie-Cessette Dumas, an African slave. Their son Thomas-Alexandre Dumas became a high-ranking general of Revolutionary France.
In 1844, Dumas moved to Saint-Germain-en-Laye, near Paris, to live with his father. There he met Marie Duplessis, a young courtesan who would be the inspiration for the character Marguerite Gauthier in his romantic novel La Dame aux camélias (The Lady of the Camellias). Adapted into a play, it was titled Camille in English and became the basis for Verdi's 1853 opera, La traviata, Duplessis undergoing yet another name change, this time to Violetta Valéry.
Although he admitted that he had done the adaptation because he needed the money, he had great success with the play, which started his career as a dramatist. He was not only more renowned than his father during his lifetime, but also dominated the serious French stage for most of the second half of the 19th century. After this, he virtually abandoned writing novels, though his semi-autobiographical L'Affaire Clemenceau (1867) achieved some solid success.
On 31 December 1864, in Moscow, Dumas married Nadezhda von Knorring (1826 – April 1895), daughter of Johan Reinhold von Knorring and widow of Alexander Grigorievich Narishkin. The couple had two daughters: Marie-Alexandrine-Henriette Dumas, born 20 November 1860, who married Maurice Lippmann and was the mother of Serge Napoléon Lippmann (1886–1975) and Auguste Alexandre Lippmann (1881–1960); and Jeanine Dumas (3 May 1867 – 1943), who married Ernest Lecourt d'Hauterive (1864–1957), son of George Lecourt d'Hauterive and his wife Léontine de Leusse. After Nadezhda's death, Dumas married Henriette Régnier de La Brière (1851–1934) in June 1895, without issue.
- Aventures de quatre femmes et d'un perroquet (1847)
- Césarine (1848)
- La Dame aux camélias (1848) (ISBN 2-87714-205-1). Texte online (Gallica)), with a version illustrated by Albert Besnard English titled as Camellias
- Le Docteur Servan (1849)
- Antonine (1849)
- Le Roman d'une femme (1849)
- Les Quatre Restaurations. Series of historical novels in La Gazette de France titled Tristan le Roux, Henri de Navarre, Les Deux Frondes (1849–51)
- Tristan le Roux (1850)
- Trois Hommes forts (1850)
- Histoire de la loterie du lingot d'or (1851)
- Diane de Lys (1851)
- Le Régent Mustel (1852)
- Contes et Nouvelles (1853)
- La Dame aux perles (1854)
- L'Affaire Clemenceau, Mémoire de l'accusé (1866), illustrations by Albert Besnard
- L'Homme-femme (1872)
- Atala (1848)
- The Lady of the Camellias (1852)
- Diane de Lys (1853)
- Le Bijou de la reine (1855)
- Le Demi-monde (1855)
- La Question d'argent (1857)
- Le Fils naturel (The Illegitimate Son, 1858)
- Un Père prodigue (1859)
- Un Mariage dans un chapeau (1859) coll. Vivier
- L'Ami des femmes (1864)
- Le Supplice d'une femme (1865) coll. Emile de Girardin
- Héloïse Paranquet (1866) coll. Durentin
- Les Idées de Madame Aubray (1867)
- Le Filleul de Pompignac (1869) coll. Francois
- Une Visite de noces (1871)
- La Princesse Georges (1871)
- La Femme de Claude (1873)
- Monsieur Alphonse (1873)
- L'Étrangère (1876)
- Les Danicheff (1876) coll. de Corvin
- La Comtesse Romani (1876) coll. Gustave Fould
- La Princesse de Bagdad (1881)
- Denise (1885)
- Francillon (1887)
- La Route de Thèbes (unfinished)
- Reiss, Tom (2012). The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo. New York: Crown Publishers. pp. 190–204. ISBN 978-0307382467.
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