Alan Williams (actor)
Originally from Manchester, he took some classes in theatre school but received the bulk of his training as an apprentice with the Hull Truck Theatre. He performed his Cockroach trilogy of one-man plays (The Cockroach That Ate Cincinnati, The Return of the Cockroach and The Cockroach Has Landed) at the International Theatre Festival in Toronto, Ontario in 1981, and then decided to remain in the city, becoming playwright in residence at the Tarragon Theatre.
His subsequent plays in Canada included The Warlord of Willowdale, The White Dogs of Texas, King of America, Dixieland's Night of Shame, Welcome to the NHL and The Duke of Nothing. He also took some acting roles in other playwrights' work, most notably appearing opposite Linda Griffiths in her two-person play The Darling Family and its 1994 film adaptation by Alan Zweig.
Return to BritainEdit
Soon after completing The Cockroach that Ate Cincinnati, Williams moved back to England, where he has had roles in films such as The Scold's Bridle, Touching Evil, The Life and Death of Peter Sellers and Vera Drake, and television series including Always and Everyone, Coronation Street, Wire in the Blood, Life Begins, The Virgin Queen, Rome, Luther, Father Brown and Starlings.
- "Success, failure all part of the plan for playwright". Winnipeg Free Press, January 6, 2015.
- "Tall tales from outsiders; Performer-playwright brings acclaimed trilogy to Ottawa". Ottawa Citizen, May 4, 1988.
- "Cockroach displays humor". The Globe and Mail, May 20, 1981.
- "From Cockroach Trilogy to suburbia Williams battles theatre cliches". The Globe and Mail, January 11, 1984.
- "Spontaneity sings in Williams's White Dogs". Ottawa Citizen, May 5, 1988.
- "King of America gives audience unique lesson in hilarious history". Ottawa Citizen, May 12, 1998.
- "Tall tales and home truths: The creator of the Cockroach Trilogy tries his hand at drama". The Globe and Mail, August 22, 1987.
- "Playwright takes on Canadian theatre values". Toronto Star, March 15, 1991.
- "'The act of theatre is an act of hope'". The Globe and Mail, January 24, 1991.
- "Movie strikes balance in the abortion debate". Edmonton Journal, December 7, 1994.
- "Film is '60s surreal: Cockroach That Ate Cincinnati funny and disconcerting". Montreal Gazette, May 24, 1997.
- "Sweet Hereafter leads the Genie award pack". The Province, November 5, 1997.
- "U.K. artist finds truth stranger than fantasy". Calgary Herald, January 10, 2015.