Academy Award for Best Adapted Screenplay(Redirected from Academy Award for Writing Adapted Screenplay)
The Academy Award for Best Adapted Screenplay is one of the Academy Awards, the most prominent film awards in the United States. It is awarded each year to the writer of a screenplay adapted from another source (usually a novel, play, short story, or TV series but sometimes another film). All sequels are automatically considered adaptations by this standard (since the sequel must be based on the original story).
|Academy Award for Best Adapted Screenplay|
|Presented by||Academy of Motion Picture Arts and Sciences (AMPAS)|
|Currently held by||Barry Jenkins
Tarell Alvin McCraney
See also the Academy Award for Best Original Screenplay, a similar award for screenplays that are not adaptations.
The first person to win twice in this category is Joseph L. Mankiewicz, who won the award in two consecutive years, 1949 and 1950. Others to win twice in this category include: George Seaton, Robert Bolt (who also won in consecutive years), Francis Ford Coppola, Mario Puzo, Alvin Sargent, Ruth Prawer Jhabvala, Alexander Payne and Michael Wilson. Payne won both awards as part of a writing duo, with Jim Taylor, and writing trio, with Jim Rash and Nat Faxon. Michael Wilson was blacklisted at the time of his second Oscar, so the award was given to a front (novelist Pierre Boulle). However, the Academy officially recognized him as the winner several years later.
Frances Marion was the first woman to win in this category, in 1930.
Philip G. Epstein and Julius J. Epstein are the first siblings to win in this category, for Casablanca. James Goldman and William Goldman are the first to win for separate films. Joel Coen and Ethan Coen are the third winning siblings, for No Country for Old Men.
Mario Puzo is the one of two writers whose work has been adapted and resulted in two wins. Puzo's novel The Godfather resulted in wins in 1972 and 1974. The other is E. M. Forster, whose novels A Room with a View and Howards End resulted in wins for Ruth Prawer Jhabvala.
Geoffrey S. Fletcher (for Precious), John Ridley (for 12 Years a Slave), and Barry Jenkins and Tarell Alvin McCraney (both for Moonlight) are the only African-Americans to win in this category; Fletcher is also the first African-American to win in any writing category.
Billy Wilder, Charles Brackett, Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Robert Benton, Bo Goldman, and the Coen brothers have won Oscars for both original and adapted screenplays.
Noted novelists and playwrights nominated in this category include: George Bernard Shaw (who shared an award for an adaptation of his play Pygmalion), Graham Greene, Tennessee Williams, Vladimir Nabokov, James Hilton, Dashiell Hammett, Raymond Chandler, Lillian Hellman, Irwin Shaw, James Agee, Norman Corwin, S. J. Perelman, Terence Rattigan, John Osborne, Robert Bolt, Harold Pinter, David Mamet, Larry McMurtry, Arthur Miller, John Irving, David Hare, Tony Kushner, and August Wilson.
Winners and nomineesEdit
Winners are listed first in colored row, followed by the other nominees.
|7th Heaven||Benjamin Glazer||The play Seventh Heaven by Austin Strong|
|Glorious Betsy||Anthony Coldeway||The play Glorious Betsy by Rida Johnson Young|
|The Jazz Singer||Alfred A. Cohn||The play The Jazz Singer by Samson Raphaelson, from his story "The Day of Atonement"|
|The Patriot||Hanns Kräly||Ashley Dukes' translation of the play Der Patriot by Alfred Neumann and the story "Paul I" by Dmitry Merezhkovsky|
- During these years, the award was bestowed as Best Writing, Adaptation.
- According to the Academy's in-house records, the following titles were under consideration, but were not official nominees: The Cop (Elliott J. Clawson), In Old Arizona (Tom Barry), The Last of Mrs. Cheyney (| Hanns Kräly), The Leatherneck (Elliott J. Clawson), Our Dancing Daughters (Josephine Lovett), Sal of Singapore (Elliott J. Clawson), Skyscraper (Elliott J. Clawson), The Valiant (Tom Barry), A Woman of Affairs (Bess Meredyth) and Wonder of Women (Bess Meredyth).
- During this year, the award was bestowed as Best Writing and included original and adapted screenplays.
- From 1935 until 1955, the award was bestowed as Best Writing, Screenplay.
- Captain Blood, written by Casey Robinson from the novel of the same name by Rafael Sabatini, was not officially nominated for this award, but appears in Academy records because it placed third in voting as a write-in candidate in 1935.
- Dudley Nichols refused to accept the award, but was in possession of it by 1949 according to Academy records.
- Michael Blankfort was originally nominated as the screenwriter of Broken Arrow. In 1991, research proved blacklisted Albert Maltz was the screenwriter and his credit was restored. Blankfort was removed from the nomination and it was given to Maltz.
- Michael Wilson was originally credited as the screenwriter of Friendly Persuasion, but Allied Artists, acting in agreement with the Screen Writers Guild, removed his credit because he was blacklisted. Early in 1957, the Academy revised its bylaws so the film would be eligible for a writing nomination without naming Wilson as a nominee. Friendly Persuasion was initially announced a nominee without a writer's name attached. The Academy's Board of Governors voted to strike the nomination altogether and it was not included on the final ballot. The Board of Governors, however, reinstated the nomination with Wilson's name attached in 2002.
- Pierre Boulle was credited as the screenwriter of The Bridge on the River Kwai and ultimately won the award. Blacklisted writers Michael Wilson and Carl Foreman, who actually wrote the screenplay, were awarded posthumous Oscars by the Academy's Board of Governors in 1984.
- Nathan E. Douglas was originally nominated as a screenwriter of Inherit the Wind, acting as a front for blacklistd writer Nedrick Young. At the request of Young's widow and based on recommendation of the Writers' Branch Executive Committee, the Academy's Board of Governors removed Douglas as a nominee and replaced him with Young.
- In 1995, research proved blacklisted Michael Wilson was also a screenwriter of Lawrence of Arabia. He was added as a nominee by the Academy's Board of Governors.
- Greystoke: The Legend of Tarzan, Lord of the Apes was initially adapted by screenwriter Robert Towne, but he removed his name from the credits because he was unhappy with co-writer Michael Austin's alterations and the finished film itself. He instead used the pseudonym P.H. Vazak, the name of his late Hungarian sheepdog.
- Screenwriter Charlie Kaufman is a character in his own script for Adaptation, as is his fictional twin brother Donald. The nonexistent Donald was credited as a screenwriter and was nominated for an Academy Award. The film's end credits claimed he had died during preproduction.
- Aljean Harmetz (March 16, 1985). "Oscars Go to Writers of 'Kwai'". The New York Times.
- Johnson, Andrew (28 March 2010). "Emma Thompson: How Jane Austen saved me from going under". The Independent. Retrieved 18 August 2011.
- "The Official Academy Awards Database". Academy of Motion Picture Arts and Sciences. Retrieved January 9, 2018.
- Saito, Stephen (February 20, 2008). "Fake Names, Real Oscars: Five Nominees Who Didn't Really Exist". IFC. Retrieved January 9, 2018.
- "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.