A Harlot's Progress (opera)
A Harlot's Progress is an opera in six scenes by the British composer Iain Bell which is based on William Hogarth's series of etchings of the same name. The libretto is by British author Peter Ackroyd.
The opera premiered at the Theater an der Wien in Vienna on 13 October 2013 with German coloratura soprano Diana Damrau in the lead role of Moll Hackabout under the baton of Finnish conductor Mikko Franck in a production by German opera and theatre director Jens-Daniel Herzog. Additional cast members included Nathan Gunn, Marie McLaughlin, Irish mezzo-soprano Tara Erraught, English tenor Christopher Gillett and French bass-baritone Nicolas Testé, with the Arnold Schoenberg Choir as the chorus, and the Vienna Symphony Orchestra. Following the successful critical and audience response to the piece, the performance of 24 October 2013 was broadcast in a live web stream, in what was Theater an der Wien's first such transmission from their main auditorium.
The story concerns a country girl, who comes to the big city and becomes mistress of an old, rich man. Thrown out by him because of her taking of younger lovers, she becomes diseased and mad and eventually dies in misery.
|Role||Voice type||Premiere cast, 13 October 2013|
Conductor: Mikko Franck
|Moll Hackabout, a harlot||coloratura soprano||Diana Damrau|
|Mother Needham, a procuress||mezzo-soprano||Marie McLaughlin|
|Kitty, Moll's maid||mezzo-soprano||Tara Erraught|
|James Dalton, a highwayman||baritone||Nathan Gunn|
|Mr Lovelace, Moll's first keeper||tenor||Christopher Gillett|
The piece was very well received. The Oberösterreichische Nachrichten described it as an "enthralling and acclaimed world premiere". The Kurier called it "cinematic, dramatic and thrilling"  and Der Standard referred to it as a "soul-devouring juggernaut". George Loomis of The New York Times praised Bell, saying the mad scene in the piece "confirms that Bell knows how to write for the human voice" and that the composer was "an accomplished writer for the orchestra" and Seen and Heard hailed it as an "...opera to be reckoned with. A Harlot's Progress together with Written on Skin by George Benjamin are the great successes of contemporary opera". The newspapers Österreich and Der Neue Merkur reported the tremendous applause the piece received on the opening night. Some of these above reviewers also drew attention to the unrelenting bleakness of the subject matter with Bachtrack stating "Its chances for being incorporated into modern repertory are good – if people can handle the utterly depressing plot". Gerhard Persché of Opera, while impressed with the performance, commented that the libretto was "too deliberately vulgar and provocative" and while praising elements of the music felt that "the composer doesn't seem altogether at home with opera as a form".
- "Theater an der Wien – Programme – A Harlot´s Progress – Cast". Theater an der Wien. 27 November 2012. Retrieved 2 September 2013.
- Persché G. Reviews from Vienna. Opera, January 2014, p36.
- A Harlot's Progress, cast and schedule, Theater an der Wien
- "Die grausame Abwärtsspirale bis in den einsamen Tod". nachrichten.at. Retrieved 12 February 2015.
- ""A Harlot's Progress": Wenn hemmungslose Gier und brutaler Sex nahtlos in den Untergang führen". kurier.at. Retrieved 12 February 2015.
- Ljubiša Tošic. "Eine Londoner Frauenvernichtung". derstandard.at/1381368560707/Eine-Londoner-Frauenvernichtung. Retrieved 12 February 2015.
- "Iain Bell's A Harlot's Progress, An Opera to be Reckoned With". Seen and Heard International. Retrieved 12 February 2015.
- "A Harlot's Progress im Theater an der Wien". oe24.at. Retrieved 12 February 2015.
- "Online Merker". der-neue-merker.eu. Retrieved 12 February 2015.
- Werner Kmetitsch. "Iain Bell's A Harlot's Progress enjoys a strong debut at Theater an der Wien". bachtrack.com. Retrieved 12 February 2015.
- Iain Bell: A Harlot's Progress, instrumentation, characters, synopsis, Chester Novello
- "Doris Day hat ihn gerettet" – Kurier, 12 October 2013 (in German)
- Barbara Petsch: "Iain Bell – Ein extremer Optimist" – Die Presse, 3 October 2013 (in German)
- Stefan Ender: "Der Komponist als Enthusiast" – Der Standard (in German)
- Christoph Irrgeher: "Iain Bell" – Wiener Zeitung, 10 October 2013 (in German)