The "I Want" song (also called an "I Wish" song[1]) is a popular type of song featured in musical theatre, and has become a particularly popular term through its use to describe a series of songs featured in Disney Renaissance films that had the main character singing about how they are unsatisfied with their current life, and what they are searching for. The term "'I Want' song" is believed to have been coined by Lehman Engel.[2]
Purpose edit
Composer Stephen Schwartz explains the concept in regard to the 1995 Disney film Pocahontas:
It's not really that there is a "formula" for these things, but I have learned over the years that pretty much any successful musical you can name has an "I Want" song for its main character within the first fifteen or so minutes of the show. I can think of exceptions, but frankly, I feel that the lack of such a moment is a weakness in most of those cases. "Just Around the Riverbend" may not be a classic "I want" song, because the character doesn't really want anything that strongly until she meets John Smith, but it sets up her sense that she has another destiny to pursue than the one laid out for her by her father and society and her desire to go after it. The third number, "Mine Mine Mine", was basically supposed to introduce the antagonist, Ratcliffe, and what he wanted, so that the central dramatic conflict could be established.[2]
Placement within a musical edit
John Kenrick, a college professor of musical history and the author of the encyclopedia Musicals 101, explains:
The Main "I Want" Song comes early in the first act, with one or more of the main characters singing about the key motivating desire that will propel everyone (including the audience) through the remainder of the show. It is often followed by a reprise.[2] In many cases, these songs include the words "I want", "I wish" or "I've got to". Classic examples include The Little Mermaid's "Part of Your World", My Fair Lady's "Wouldn't It Be Loverly", Carnival's "Mira", The Sound of Music's "I Have Confidence", Wicked's "The Wizard and I", The Book of Mormon's "You and Me (But Mostly Me)", Hamilton's "My Shot" and "Wait for It", The Producers's "King of Broadway" and Dear Evan Hansen's "Waving Through a Window."[3] Stephen Sondheim and James Lapine's 1986 Broadway musical Into the Woods begins and ends with a character saying "I wish". For earlier examples, see "Over the Rainbow" from The Wizard of Oz (1939) or "It Might as Well Be Spring" from State Fair (1945).
Bob Fosse said there were only three types of show songs from a director's point of view: "I Am" songs – a song that explains a character/situation, "I Want" songs – desire and motivations, and "New songs" – songs that do not fit the other categories.[3]
Beyond a musical edit
Schwartz also notes "I Want" songs are usually those which have a life beyond the production they were featured in:
I don't think it's surprising that "I Want" songs tend to be among the most recorded – they are often somewhat more liftable than other songs in the show (that is, they make sense outside the framework of the show) and they give the singer something to act. In classic terms, the job of an "I Want" song is not to move the action forward, but to set up the desire of the leading character that will drive the action for the rest of the show.
Historical composition edit
Schwartz has also written "I Want" songs for live action musicals, including "Corner of the Sky" for Pippin and "The Wizard and I" for Wicked.[4]
Disney edit
The Walt Disney Company has a long tradition of "I Want" songs in Disney animated musicals going back to the Disney Renaissance era due to Alan Menken's work with the company.[5][6] The term has retroactively been used to describe older "I Want" songs. In a top ten list of Disney, The Daily Dot ranked Robin Hood's "Not in Nottingham" as the best "I Want" song. The site also noted that these could be sung by antagonists, ranking The Hunchback of Notre Dame's "Hellfire" at number 5.[7] FanPop listed "Part of Your World" from The Little Mermaid as the best song of this type.[8] The WFPL article Great 'I Want' Moments in Musicals listed "Belle", "Somewhere That's Green" from Little Shop of Horrors, "Wouldn't It Be Loverly", "Lonely Room", "Corner of the Sky" from Pippin, and "Part of Your World".[9]
References edit
- ^ "Transcript | This American Life, Prologue". www.thisamericanlife.org. Retrieved 2016-05-17.
- ^ a b c de Giere, Carol. "Writing "I Want Songs" for Musicals". MusicalWriters.com. Archived from the original on 2014-06-02. Retrieved May 31, 2014.
- ^ a b Kenrick, John (2000). "The Score". Musicals101.com. Retrieved May 31, 2014.
- ^ Laird, Paul R. (Jun 24, 2011). Wicked: A Musical Biography. Scarecrow Press. p. 194. ISBN 9780810877528. Retrieved June 1, 2014.
- ^ Gagliano, Rico; Miranda, Lin-Manuel (10 February 2017). "Lin-Manuel Miranda on 'I Want' Songs, Going Method for 'Moana' and Fearing David Bowie" (Transcript). The Dinner Party Download. American Public Radio. Retrieved 14 February 2017.
- ^ Quinn, Dave (24 February 2017). "How Lin-Manuel Miranda's Oscar-Nominated Moana Track Evolved into Disney's Most Unique Ballad". People. New York: Time Inc. Retrieved 27 February 2017.
- ^ Romano, Aja (January 18, 2014). "The definitive ranking of Disney 'Want Songs'". The Daliy Dot. Retrieved May 31, 2014.
- ^ "Animaluco's favorite "I Want" songs". FanPop. Retrieved May 31, 2014.
- ^ Keane, Erin (October 23, 2012). "Great 'I Want' Moments in Musicals". WFPL News. Retrieved June 1, 2014.