The Road to Ruin (1934 film)
|The Road to Ruin|
DVD cover (detail)
|Directed by||Dorothy Davenport
|Produced by||Willis Kent|
|Written by||Dorothy Davenport
Willis Kent (uncredited)
|Editing by||S. Roy Luby|
|Distributed by||True-Life Photoplays
First Division Pictures
|Release date(s)||17 February 1934 (NYC)
15 May 1934 (US)
|Running time||62 minutes|
Road to Ruin is a 1934 exploitation film directed by Dorothy Davenport, under the name "Mrs. Wallace Reid", and Melville Shyer, and written by Davenport with the uncredited contribution of the film's producer, Willis Kent. The film, which is in the public domain, is about a young girl whose life is ruined by sex and drugs.
- Helen Foster as Ann Dixon
- Nell O'Day as Eve Monroe
- Glen Boles as Tommy
- Robert Quirk as Ed
- Paul Page as Ralph Bennett
- Richard Hemingway as Mr. Dixon
- Virginia True Boardman as Martha Dixon
- Richard Tucker as Homer
- Donald Kerr as Drunk shooting dice
- Eleanor Thatcher as Dancer
- Neal Pratt as Brad
- Jimmy Tolson as Club Singer Jimmy
Director/writer Dorothy Davenport appears in the film in the role of "Mrs. Merrill."
The Road to Ruin is a sound re-make of a 1928 silent film of the same name, written and produced by Willis Kent and also starring Helen Foster.
The titles and composers of the three songs performed in the film are not recorded.
To promote the film, the producers advertised that it was not to be shown to anyone under eighteen, implying that it contained salacious material. Film censors in Virginia required a "record number" of cuts in the film before clearing it for release, according to Film Daily, while in Detroit, the film was boycotted by the Catholic Church, but was cleared by the local censors after some cuts.
A novelization of the film was put out by the producers, apparently intended for use by school and civic groups as an aid to discussion of the social problems presented in the film: teenage drinking, promiscuity, pregnancy and abortion.
The reviewer for Variety found the film "restrained" in comparison to the more "hotly sexed" silent version, while other reviewers found it to be an improvement over the earlier film, and "sensational". A modern critic called the film "[A] sordid drive down the path of moral and physical degradation, capped off with just enough of a moral lesson to alleviate any guilt the viewer might feel for watching such a decadent display."
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