Sound is the debut album by free jazz saxophonist Roscoe Mitchell, recorded in 1966 and released on the Delmark label. It features performances by Mitchell, Lester Bowie, Malachi Favors, Maurice McIntyre, Lester Lashley and Alvin Fielder. The CD reissue includes two takes of "Sound", which were edited together to form the original LP version, and an alternative take of "Ornette".
| Sound | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1966 | |||
| Recorded | August 10–26, 1966 | |||
| Studio | Sound Studios (Chicago) | |||
| Genre | Free jazz, avant-garde[1] | |||
| Length | 37:12 | |||
| Label | Delmark | |||
| Producer | Robert G. Koester | |||
| Roscoe Mitchell chronology | ||||
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According to Alvin Fielder, "[the] music was rehearsed. It sounds unrehearsed but it was that loose...For Sound, we rehearsed four to five days per week...It took us two recording days to do Sound and it went well."[2] Wadada Leo Smith commented: "It's no accident that Roscoe called that important piece of his Sound. Sound - not pitch - that's the difference."[3] According to Mitchell, "[t]he musicians are free to make any sound they think will do, any sound that they hear at a particular time. That could be like somebody who felt like stomping on the floor... well, he would stomp on the floor. And you notice the approach of the musicians to their instruments is a little different from what one would normally hear... I always 'felt' a lot of instruments - and I feel myself being drawn to it. I'm getting more interested in music as strictly atmosphere, not so much of just standing up playing for playing's sake, but my mind stretches out to other things, like creating different sounds."[4]
Reception edit
| Review scores | |
|---|---|
| Source | Rating |
| Penguin Guide to Jazz |  [5] |
| Allmusic | [1] |
| The Rolling Stone Jazz Record Guide | [6] |
The Penguin Guide to Jazz selected the album as part of its suggested Core Collection. The authors wrote: "What a vital, electrifying document this remains!... Mitchell organizes his group around the notion of sounds entering into - and interrelating with - silence. So there are tiny gestures and startling emptinesses alongside long lines and soliloquies... Both a manifesto and an unrepeatable event, Sound remains a marvel."[5]
The Allmusic review by Steve Huey awarded the album 5 stars, stating, "Structurally, Sound heralded a whole new approach to free improvisation; where most previous free jazz prized an unrelenting fever pitch of emotion, Sound was full of wide-open spaces between instruments, an agreeably rambling pace in between the high-energy climaxes, and a more abstract quality to its solos. Steady rhythmic pulses were mostly discarded in favor of collective, spontaneous dialogues and novel textures (especially with the less orthodox instruments, which had tremendous potential for flat-out weird noises). Simply put, it's an exploration of pure sound."[1]
The album was identified by Chris Kelsey in his Allmusic essay "Free Jazz: A Subjective History" as one of the 20 Essential Free Jazz Albums.[7] Elliott Sharp called the album "one of Mitchell's finest early moments" and included it in his list "Ten Free Jazz Albums to Hear Before You Die".[8]
Influence edit
The album's influence on other improvisers was considerable: "Sound's concepts of texture, space, and interaction would shortly be expanded upon in classic recordings by Anthony Braxton, Muhal Richard Abrams, the Art Ensemble of Chicago, and others; the repercussions from its expansion of free jazz's tonal and emotional palettes are still being felt".[1]
Track listing edit
Original LP edit
All compositions by Roscoe Mitchell
Side One
- "Ornette – 5:22
- "The Little Suite" – 10:20
Side Two
- "Sound" – 21:30
CD Reissue edit
- "Ornette" [alternative take] – 5:44
- "Sound 1" – 26:36
- "The Little Suite" – 10:27
- "Ornette" – 5:29
- "Sound 2" – 19:24
Personnel edit
- Roscoe Mitchell – alto saxophone, clarinet, flute, recorder
- Lester Bowie – trumpet, flugelhorn, harmonica
- Malachi Favors – bass
- Maurice McIntyre – tenor saxophone
- Lester Lashley – trombone, cello
- Alvin Fielder – percussion
References edit
- ^ a b c d Huey, S. Allmusic Review accessed September 27, 2011.
- ^ Weiss, Ken (Jan–Mar 2017). "Alvin Fiedler [sic] - Maybe Not New But Something Different". Cadence Magazine. 43 (1 (421)). Portland, Oregon: Cadence Media LLC: 81. ISSN 0162-6973.
- ^ Wilmer, Val (2018). As Serious As Your Life: Black Music and the Free Jazz Revolution 1957-1977. Serpent's Tail. p. 160. ISBN 978-1788160711.
- ^ Wilmer, Val (2018). As Serious As Your Life: Black Music and the Free Jazz Revolution 1957-1977. Serpent's Tail. pp. 160–161. ISBN 978-1788160711.
- ^ a b Cook, Richard; Brian Morton (2008). "Roscoe Mitchell". The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (9th ed.). New York: Penguin. p. 1011. ISBN 978-0-14-103401-0.
- ^ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 142. ISBN 0-394-72643-X.
- ^ Kelsey, C. Free Jazz: A Subjective History accessed December 7, 2009
- ^ Sharp, Elliott (November 15, 2012). "Ten Free Jazz Albums to Hear Before You Die". Village Voice. Retrieved April 18, 2021.