The second-person narrative is a narrative mode in which the protagonist or another main character is referred to by employment of second-person personal pronouns and other kinds of addressing forms, for example the English second-person pronoun "you".
You are not the kind of guy who would be at a place like this at this time of the morning. But here you are, and you cannot say that the terrain is entirely unfamiliar, although the details are fuzzy. —Opening lines of Jay McInerney's Bright Lights, Big City (1984)
Traditionally, the employment of the second-person form in literary fiction has not been as prevalent as the corresponding first-person and third-person forms, yet second-person narration is, in many languages, a very common technique of several popular and non- or quasi-fictional written genres such as guide books, self-help books, do-it-yourself manuals, interactive fiction, role-playing games, gamebooks such as the Choose Your Own Adventure series, musical lyrics, advertisements and also blogs.
Although not the most common narrative technique in literary fiction, second-person narration has constituted a favoured form of various literary works within, notably, the modern and post-modern tradition. In addition to a significant number of consistent (or nearly consistent) second-person novels and short-stories by, for example, Albert Camus, Michel Butor, Marguerite Duras, Carlos Fuentes, Nathaniel Hawthorne, Georges Perec, the technique of narrative second-person address has been widely employed in shorter or longer intermittent chapters or passages of narratives by William Faulkner, Günter Grass, Italo Calvino, Iain Banks, Nuruddin Farah, Jan Kjærstad and many others.
- Schofield, Dennis (1998-12-01). The Second Person: A Point of View? The Function of the Second-Person Pronoun in Narrative Prose Fiction. Deakin University. Retrieved 2007-03-29.
Jay McInerney and Mohsin Hamid discuss the second-person narrative style http://www.nydailynews.com/blogs/pageviews/2012/10/freedom-of-speech-the-second-person-and-homeland-a-conversation-between-jay-mciner