April 22, 1922|
|Died||March 30, 1993
|Movement||Bay Area Figurative Movement, Abstract Expressionism, Color Field painting, Lyrical Abstraction|
|Influenced by||Edward Hopper, Willem de Kooning, Clyfford Still, Arshile Gorky, Henri Matisse|
|Influenced||Bay Area Figurative School|
Richard Diebenkorn (April 22, 1922 – March 30, 1993) was a well-known 20th century American painter. His early work is associated with Abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. His later work (best known as the Ocean Park paintings) were instrumental to his achievement of worldwide acclaim.
Richard Clifford Diebenkorn Jr. was born on April 22, 1922 in Portland, Oregon. His family moved to San Francisco, California, when he was two years old. From the age of four or five he was continually drawing. In 1940, Diebenkorn entered Stanford University, where he met his first two artistic mentors, Professor Victor Arnautoff who guided Diebenkorn in classical formal discipline with oil paint, and Daniel Mendelowitz, with whom he shared a passion for the work of Edward Hopper. Hopper's influence can be seen in Diebenkorn's representational work of this time.
During the late 1940s and early 1950s, he lived and worked in various places: New York City, Woodstock, New York, Albuquerque, New Mexico, Urbana, Illinois and Berkeley, California. He developed his own style of abstract expressionist painting. Abstract expressionism had captured worldwide attention, having developed in New York during the 1940s.
Diebenkorn served in the United States Marine Corps from 1943 to 1945. After WWII, the focus of the art world shifted from the School of Paris to the New York School. In the early 1950s, Diebenkorn adopted abstract expressionism as his vehicle for self-expression, influenced at first by Clyfford Still, Arshile Gorky, Hassel Smith and Willem de Kooning. He became a leading abstract expressionist on the west coast. In 1950 to 1952, Diebenkorn was enrolled under the G.I. Bill in the University of New Mexico’s graduate fine-arts department where he created a lucid version of Abstract Expressionism.
He lived in Berkeley, California, from 1955 to 1966. By the mid-1950s, Diebenkorn had become an important figurative painter, in a style that bridged Henri Matisse with abstract expressionism. Diebenkorn, Elmer Bischoff, Henry Villierme, David Park, James Weeks and others participated in a renaissance of figurative painting, dubbed the Bay Area Figurative Movement.
From fall 1964 to spring 1965, Diebenkorn traveled through Europe and he was granted a cultural visa to visit important Soviet museums and view their holdings of Matisse's paintings. When he returned to painting in the Bay Area in mid-1965, his resulting works summed up all that he had learned from more than a decade as a leading figurative painter.
The Henri Matisse paintings French Window at Collioure, and View of Notre-Dame both from 1914 exerted tremendous influence on Richard Diebenkorn's Ocean Park paintings. According to art historian Jane Livingston, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966 and they had an enormous impact on him and his work. Jane Livingston says about the January 1966 Matisse exhibition that Diebenkorn saw in Los Angeles:
It is difficult not to ascribe enormous weight to this experience for the direction his work took from that time on. Two pictures he saw there reverberate in almost every Ocean Park canvas. View of Notre Dame and French Window at Collioure, both painted in 1914, were on view for the first time in the US.
Livingston goes on to say Diebenkorn must have experienced French Window at Collioure, as an epiphany.
In 1967, Diebenkorn moved to Santa Monica and took up a professorship at UCLA. He moved into a small studio space in the same building as his old friend from the Bay Area, Sam Francis. In the winter of 1966-67 he returned to abstraction, this time in a distinctly personal, geometric style that clearly departed from his early abstract expressionist period. The "Ocean Park" series, begun in 1967 and developed for the next 18 years, became his most famous work and resulted in approximately 135 paintings. Based on the aerial landscape and perhaps the view from the window of his studio, these large-scale abstract compositions are named after a community in Santa Monica, California, where he had his studio. Diebenkorn retired from UCLA in 1973. The Ocean Park series bridges his earlier abstract expressionist works with Color field painting and Lyrical Abstraction. He taught at this time at UCLA. In 1990, Diebenkorn produced a series of six etchings for the Arion Press edition of Poems of W. B. Yeats, with poems selected and introduced by Helen Vendler.
Richard Diebenkorn died due to complications from emphysema in Berkeley on March 30, 1993.
Diebenkorn had his first show at the California Palace of the Legion of Honor in San Francisco 1948. The first important retrospective of his work took place at the Albright-Knox Art Gallery in Buffalo, New York, in 1976–77; the show then traveled to Washington, D.C., Cincinnati, Los Angeles, and Oakland. In 1989 John Elderfield, then curator at the Museum of Modern Art, New York, organized a show of Diebenkorn’s works on paper, which constituted an important part of his production.
Diebenkorn's work can be found in a number of public collections including the Albertina, Vienna, Austria; Albright-Knox Art Gallery, Buffalo, New York; Art Institute of Chicago, Chicago; Baltimore Museum of Art; Carnegie Institute, Pittsburgh; Corcoran Gallery of Art, Washington, D.C.; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Museum of Fine Arts, Houston, Texas; Phillips Collection, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Solomon R. Guggenheim Museum, New York; and the Whitney Museum of American Art, New York.
In 2012, Diebenkorn’s Ocean Park #48 painted in 1971 became the most expensive picture by the artist ever auctioned when it went for $13.25 million at Christie's New York, dwarfing the previous record set at Christie’s when an Ocean Park #48 painted in 1980 made $7.69 million.
- Livingston, J: "The Art of Richard Diebenkorn", page 18. Whitney California, 1997.
- Livingston, J: "The Art of Richard Diebenkorn", pages 20–21. Whitney California, 1997.
- "RD Biography". Richard Diebenkorn Catalogue Raisonné. Retrieved March 21, 2009.
- Robert Ayers (January 3, 2008). New York Winter Exhibition Preview. ARTINFO. Retrieved 2008-04-24
- Jane Livingston, The Art of Richard Diebenkorn, p.56, 1997–1998 Exhibition catalog, The Whitney Museum of American Art, The Art of Richard Diebenkorn, ISBN 0-520-21257-6,
- View of Notre Dame, 1914 at MoMA, retrieved December 18, 2008
- Livingston, Jane. "The Art of Richard Diebenkorn". In: 1997-1998 Exhibition catalog, Whitney Museum of American Art. 62-67. ISBN 0-520-21257-6
- Livingston, Jane. The Art of Richard Diebenkorn. In 1997-1998 Exhibition catalog, Whitney Museum of American Art. 64. ISBN 0-520-21257-6,
- Chang, Richard (February 25, 2012). "Swimming in Diebenkorn". The Orange County Register. pp. Show Saturday 1, 8.
- Richard Diebenkorn Peggy Guggenheim Collection, Venice.
- Richard Diebenkorn Marlborough Gallery, New York.
- Lifetime Honors - National Medal of Arts
- Souren Melikian (November 16, 2012), Investors Fly to Contemporary Art International Herald Tribune.
- Jane Livingston, The Art of Richard Diebenkorn, with essays by John Elderfield, Ruth E. Fine, and Jane Livingston. The Whitney Museum of American Art, 1997, ISBN 0-520-21257-6
- Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2003.) ISBN 0-9677994-1-4. p. 102-105
- Marika Herskovic, American Abstract and Figurative Expressionism: Style Is Timely Art Is Timeless. (New York School Press, 2009.) ISBN 978-0-9677994-2-1. p. 80-83
- Nancy Marmer, "Richard Diebenkorn: Pacific Extensions," Art in America, January/February 1978, pp. 95–99.
- Richard Diebenkorn Catalogue Raisonné
- Richard Diebenkorn Artwork Examples on AskART.
- NY Times obituary