Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 2Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 3Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 4Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 5Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 6Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 7The Who on stage in 1975 (from Hard rock)
Image 8"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 9Buddy Holly and his band, the Crickets (from Rock and roll)
Image 10Kiss onstage in Boston in 2004 (from Hard rock)
Image 11Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 12Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 13Little Richard in 1957 (from Rock and roll)
Image 14Drum notation for a backbeat (from Hard rock)
Image 15Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 16Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 17Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 18Wolfmother, 2007 (from Hard rock)
Image 19Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 20Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 21Chuck Berry in 1957 (from Rock and roll)
Image 22Golden Earring receives a gold record in 1970. (from Hard rock)

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XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge (vocals, guitars) and Colin Moulding (vocals, bass), the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.

Partridge and Moulding first met in the early 1970s and subsequently formed a glam outfit with drummer Terry Chambers. The band's name and line-up changed frequently, and it was not until 1975 that the band was known as XTC. In 1977, the group debuted on Virgin Records and were subsequently noted for their energetic live performances and their refusal to play conventional punk rock, instead synthesising influences from ska, 1960s pop, dub music and avant-garde. The single "Making Plans for Nigel" (1979) marked their commercial breakthrough and heralded the reverberating drum sound associated with 1980s popular music.

Between 1979 and 1992, XTC had a total of 10 albums and 6 singles that reached the UK top 40, including "Sgt. Rock (Is Going to Help Me)" (1980) and "Senses Working Overtime" (1982). After 1982's English Settlement, the band stopped concert touring and became a studio-based project centred on Partridge, Moulding and guitarist Dave Gregory. A spin-off group, the Dukes of Stratosphear, was invented as a one-off excursion into 1960s-style psychedelia, but as XTC's music evolved, the distinctions between the two bands lessened. XTC continued to produce more progressive records, including the albums Skylarking (1986), Oranges & Lemons (1989) and Nonsuch (1992). In the US, "Mayor of Simpleton" (1989) was their highest-charting single, while "Dear God" (1986) was controversial for its anti-religious message.

Due to poor management, XTC never received a share of profits from record sales (of which there were millions), nor from touring revenue, forcing them into debt throughout the 1980s and 1990s. In 1993, they went on strike against Virgin, citing an unfair recording contract, and soon extricated themselves from the label. Gregory left the band during the making of Apple Venus Volume 1 (1999), after which the XTC name was used by the duo of Partridge and Moulding. In 2006, Partridge announced that his creative partnership with Moulding had disintegrated, leaving XTC "in the past tense". Moulding and Chambers briefly reunited as the duo TC&I in the late 2010s. Partridge and Gregory remain musically active. (Full article...)

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John Anthony Frusciante (/fruːˈʃɑːnteɪ/ ; born March 5, 1970) is an American musician and the guitarist of the Red Hot Chili Peppers. He has released 11 solo albums and 7 EPs, ranging in style from acoustic guitar to electronic music. He was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers in 2012. Rolling Stone named Frusciante among the greatest guitarists of all time.

Frusciante joined the Chili Peppers at the age of 18 after the death of guitarist Hillel Slovak, and first appeared on their album Mother's Milk (1989). His second album with the band, Blood Sugar Sex Magik (1991), was their breakthrough success. Overwhelmed by the band's newfound popularity, he quit in 1992. He became a recluse and entered a period of heroin addiction, during which he released his first solo recordings: Niandra LaDes and Usually Just a T-Shirt (1994) and Smile from the Streets You Hold (1997). In 1998, he completed drug rehabilitation and rejoined the Chili Peppers, taking them to major success with their albums Californication (1999), By the Way (2002) and Stadium Arcadium (2006).

Frusciante's solo work encompasses genres including experimental rock, ambient music, and electronica. He released six albums in 2004, each exploring different genres and recording techniques. In 2009, Frusciante released The Empyrean, which features members of the Chili Peppers. Frusciante left the Chili Peppers again in 2009 and rejoined them in 2019. Frusciante also releases acid house under the alias Trickfinger. With the ex-Chili Peppers guitarist Josh Klinghoffer and Joe Lally, Frusciante has released two albums as Ataxia. (Full article...)

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Lions is the sixth studio album by American rock band The Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin.

The band supported Lions with two North American tours (one with Oasis co-headlining), and a short tour of Europe and Japan in between. Soundboard recordings of several concerts were available for download to those who owned the album. Following the tour, the band went on hiatus until 2005. (Full article...)

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"Could've Been You" is a song originally performed by American rock singer Bob Halligan and later popularized by American singer-actress Cher. The song was written by Halligan and Arnie Roman for Halligan's 1991 album, Window in the Wall. Cher's cover version was produced by Peter Asher and released exclusively for the European market in early 1992 as the fifth single from Cher's 21st studio album, Love Hurts. Lyrically, "Could've Been You" is a message from the song's protagonist to his or her ex.

Cher's version of "Could've Been You" received positive reviews from critics and peaked at number thirty-one on the UK Singles Chart. Cher promoted the song through appearances at Top of the Pops and Aspel and Company. (Full article...)

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Credit: Stefan Krause LAL

Henrik Freischlader performing in Saarbrücken, Germany in 2009.

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Did you know (auto-generated)

... that during his tenure as Governor of Central Java, Muhammad Ismail banned rock music concerts and car rallies?
... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?
... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that Greg Cooper based the character of suffragist Kate Sheppard in punk-rock musical That Bloody Woman on Bette Midler in concert in Cleveland?
... that Shin Hae-chul, who previously made hard rock and heavy metal albums, was inspired by big band music when he made The Songs for the One?
... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?

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Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an emergence of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. (Full article...)