Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 2Golden Earring receives a gold record in 1970. (from Hard rock)
Image 3Drum notation for a backbeat (from Hard rock)
Image 4Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 5Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 6Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 7Buddy Holly and his band, the Crickets (from Rock and roll)
Image 8Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 9Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 10Little Richard in 1957 (from Rock and roll)
Image 11Kiss onstage in Boston in 2004 (from Hard rock)
Image 12Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 13Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 14Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 15Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 16Wolfmother, 2007 (from Hard rock)
Image 17Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 18Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 19The Who on stage in 1975 (from Hard rock)
Image 20Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 21Chuck Berry in 1957 (from Rock and roll)
Image 22Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)

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Sum 41 is a Canadian rock band from Ajax, Ontario. The band was formed in 1996 and currently consists of Deryck Whibley (lead vocals, guitars, keyboards), Dave Baksh (lead guitar, backing vocals), Jason McCaslin (bass, backing vocals), Tom Thacker (guitars, keyboards, backing vocals), and Frank Zummo (drums, occasional backing vocals).

In 1999, Sum 41 signed an international record deal with Island Records and released its first EP, Half Hour of Power, in 2000. The band released its debut album, All Killer No Filler, in 2001. The album achieved mainstream success with its first single, "Fat Lip", which reached number one on the Billboard Modern Rock Tracks chart and remains the band's most successful single to date. The album's next singles "In Too Deep" and "Motivation" also achieved commercial success. All Killer No Filler was certified platinum in both the United States and the United Kingdom and triple platinum in Canada. In 2002, the band released Does This Look Infected?, which was also a commercial and critical success. The singles "The Hell Song" and "Still Waiting" both charted highly on the modern rock charts.

The band released its next album, Chuck, in 2004, led by singles "We're All to Blame" and "Pieces". The album proved successful, peaking at number 10 on the Billboard 200. In 2007, the band released Underclass Hero, which was met with a mixed reception, but became the band's highest-charting album to date. It was also the band's last album on Aquarius Records. The band released the album Screaming Bloody Murder, on Island Records in 2011 to a generally positive reception, though it fell short of its predecessors' commercial success. The band's sixth studio album, 13 Voices was released in 2016, through Hopeless Records. IMPALA awarded the album with a double gold award for 150,000 sold copies across Europe. The band's seventh studio album Order in Decline was released on July 19, 2019. It was the band's last album on Hopeless Records. The band's eighth studio album, Heaven :x: Hell, was released on March 29, 2024, through Rise Records. In May 2023, the band announced that the album would be their last as they would be disbanding after its release and a worldwide headlining tour.

The band often performed more than 100 times each year and holds long global tours, most of which lasted more than a year. The group was nominated for seven Juno Awards and won twice – Group of the Year in 2003, and Rock Album of the Year for Chuck in 2005. Sum 41 was nominated for a Grammy Award for Best Hard Rock/Metal Performance for the song "Blood in My Eyes". From their formation to 2016, Sum 41 were the 31st best-selling Canadian artist in Canada. (Full article...)

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Sir George Ivan Morrison OBE (born 31 August 1945) is a singer-songwriter and musician from Northern Ireland whose recording career spans seven decades.

Morrison began performing as a teenager in the late 1950s, playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Known as "Van the Man" to his fans, Morrison rose to prominence in the mid-1960s as the lead singer of the Belfast R&B band Them, with whom he wrote and recorded "Gloria", which became a garage band staple. His solo career started under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967.

After Berns's death, Warner Bros. Records bought Morrison's contract and allowed him three sessions to record Astral Weeks (1968). While initially a poor seller, the album has come to be regarded as a classic. Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances.

Much of Morrison's music is structured around the conventions of soul music and early rhythm and blues. An equal part of his catalogue consists of lengthy, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream of consciousness narrative, such as the album Astral Weeks. The two strains together are sometimes referred to as "Celtic soul", and his music has been described as attaining "a kind of violent transcendence". (Full article...)

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New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value.

After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of carefree rock and roll, influences from Brill Building pop, and campy sensibilities – explores themes of urban youth, teen alienation, adolescent romance, and authenticity, as rendered in Johansen's colloquial and ambiguous lyrics.

New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement as the group's crude musicianship and youthful attitude on the album challenged the prevailing trend of musical sophistication in popular music, particularly progressive rock. Among the most acclaimed albums in history, it has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time. (Full article...)

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"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.

"It's All Over Now, Baby Blue" has been covered by Them, Baez and the Byrds. Them's version, released in 1966, influenced garage bands during the mid-'60s, and Beck later sampled it for his 1996 single "Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow-up single to "Mr. Tambourine Man" and "All I Really Want to Do", but neither recording was released in that form. The Byrds did release a 1969 recording of the song on their Ballad of Easy Rider album. (Full article...)

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Credit: Sven-Sebastian Sajak

Mike Dirnt, singer and bassist of Green Day, stands on the Centerstage during Rock im Park ("Rock in the Park") Festival 2013.

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Did you know (auto-generated)

... that Desulfovibrio vulgaris can remove toxic heavy metals from the environment?
... that raw material waste from the West influenced a generation of rock music in China?
... that during his tenure as Governor of Central Java, Muhammad Ismail banned rock music concerts and car rallies?
... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?
... that Shin Hae-chul, who previously made hard rock and heavy metal albums, was inspired by big band music when he made The Songs for the One?
... that the Diaspora Yeshiva Band infused rock and bluegrass with Jewish lyrics, creating a music style it called "Hasidic rock" or "Country and Eastern"?

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Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Travis, Keane, Snow Patrol, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. (Full article...)