Peggy Phelan (born April 23, 1959) is an American feminist scholar. She is one of the founders of Performance Studies International,[1] the former chair of New York University's Department of Performance Studies from 1993 to 1996, Stanford's Theatre and Performance Studies Department (then called the Drama Department) from 2007 to 2011, and continues as the Ann O’Day Maples Professor of the Arts, Professor of Theater & Performance Studies and English, and the Denning Family Director of the Stanford Arts Institute.[2] Her research interests while at Stanford University include; American Literature, British Literature, and performance studies with a focus in poetry and drama.[3]
Peggy Phelan | |
|---|---|
| Born | Margaret Phelan New York |
| Nationality | American |
| Awards | 2004 Guggenheim Fellowship for Theatre Arts |
Main interests | Art and feminism |
| Website | Stanford University |
Phelan's work is primarily concerned with the investigation of performance as a live event. She argued that the ephemerality of performance is crucial to its force. While most of her initial work was rooted in feminist post-structuralism and psychoanalysis, her more recent work is concerned with media, photography, and visual arts. She has written on the selfie, and on Reagan and Warhol. Her most widely recognized essay is "The Ontology of Performance," originally published in Unmarked: the politics of performance (1993).[citation needed]
Select Publications edit
- Phelan, Peggy. Live Art in La: Performance in Southern California, 1970-1983. New York: Routledge, 2012.
- Reckitt, Helena, and Peggy Phelan. Art and Feminism. London: Phaidon, 2001.
- Phelan, Peggy, Hans U. Obrist, Elisabeth Bronfen, and Pipilotti Rist. Pipilotti Rist. London: Phaidon, 2001.
- Phelan, Peggy, and Martin Gustavsson. Martin Gustavsson. Stockholm, 2001.
- Phelan, Peggy. Special Issue: Narrative and Performance. Columbus, OH: Ohio State University Press, 2000.
- Phelan, Peggy, and Jill Lane. The Ends of Performance. New York: New York University Press, 1998.
- Phelan, Peggy. Mourning Sex: Performing Public Memories. London: Routledge, 1997.
- Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993.
Awards edit
- 2004 Guggenheim Fellowship for Theatre Arts[4]
- Getty Research Fellow 2004-2005
- Stanford Humanities Center, Fellow, 2011–12
- Australian National University Fellow
- Calloway Prize for Dramatic Criticism 1997-199
References edit
- ^ "Peggy Phelan". performancephilosophy.ning.com. Retrieved 2020-04-12.
- ^ "Peggy Phelan". Stanford University. Retrieved 12 August 2016.
- ^ https://english.stanford.edu/people/peggy-phelan
- ^ "John Simon Guggenheim Memorial Foundation: Peggy Pelan". John Simon Guggenheim Memorial Foundation.
External links edit
- Profile page: Peggy Phelan Stanford University
- WorldCat
- Profile page: Peggy Phelan Stanford University
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