Kōrin was born in Kyoto, to a wealthy merchant who had a taste for the arts and is said to have given his son some elementary instruction therein. Kōrin also studied under Soken Yamamoto, the Kanō school, Tsunenobu and Gukei Sumiyoshi, and was greatly influenced by his predecessors Hon'ami Kōetsu and Tawaraya Sōtatsu.
Kōrin broke away from all tradition, and developed a very original and quite distinctive style of his own, both in painting and in the decoration of lacquer. The characteristic of this is a bold impressionism, which is expressed in few and simple highly idealized forms, with an absolute disregard for both realism and the usual conventions. In lacquer, Kōrin's use of white metals and of mother-of-pearl is notable; but herein he followed Koyetsu. Korin died at the age of fifty-nine. His chief pupils were Kagei Tatebayashi and Shiko Watanabe, but the present knowledge and appreciation of his work are largely due to the efforts of Sakai Hōitsu, who brought about a revival of Kōrin's style.
An artist of the Rinpa school, he is particularly known for his gold-foil folding screens. A screen in the Museum of Fine Arts, Boston depicting Matsushima is a particularly famous work, and his "Irises" in the Nezu Museum is a National Treasure of Japan.
- 光琳畫譜 (1801)
- 光琳百圖 (1868)
- 光琳 (1940)
- 国宝紅白梅図屏風 (1955)
- 光琳 (1965)
- Nussbaum, Louis-Frédéric and Käthe Roth. (2005). Japan encyclopedia. Cambridge: Harvard University Press. 10-ISBN 0-674-01753-6; 13-ISBN 978-0-674-01753-5; OCLC 58053128
- Randall, Doanda. (1960). Kōrin. New York: Crown. OCLC 1487440
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Ogata Korin". Encyclopædia Britannica (11th ed.). Cambridge University Press.
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