Hold on to Daddy's Ears (French: Tiens-toi bien après les oreilles à papa), also known as What the Hell Are They Complaining About?,[1] is a Canadian comedy film, directed by Jean Bissonnette and released in 1971.[2] A satirical allegory for Quebec nationalism, the film stars Dominique Michel as Suzanne David and Yvon Deschamps as Jacques Martin, two French Canadians working for the Montreal office of a large English Canadian insurance company from Toronto.[3]
| Hold on to Daddy's Ears | |
|---|---|
| French | Tiens-toi bien après les oreilles à papa |
| Directed by | Jean Bissonnette |
| Written by | Gilles Richer |
| Produced by | Richard Hellman |
| Starring | Dominique Michel Yvon Deschamps Dave Broadfoot |
| Cinematography | René Verzier |
| Edited by | Pierre Savard |
| Music by | François Dompierre |
Production companies | Mojack Films Briston Creative Films |
| Distributed by | Ciné-Art |
Release date |
|
Running time | 103 minutes |
| Country | Canada |
| Language | French |
The cast also includes Dave Broadfoot as the company president Mr. Thompson, as well as Paule Bayard, Gilles Latulippe, Jean Leclerc, Hélène Loiselle, Suzanne Lévesque, Alpha Boucher and Claude Michaud in supporting roles.
Release edit
The film premiered in limited release in Montreal on December 25, 1971.[3] It was an immediate popular success, grossing over $600,000 in eight weeks across just five theatres;[4] it received broader theatrical release across Quebec in 1972, ultimately grossing over $2 million across its entire theatrical run.[5]
Legacy edit
Screenwriter Gilles Richer's next film, 1973's Enuff Is Enuff (J'ai mon voyage!) addressed similar themes and again starred Michel, but was not a sequel to Daddy's Ears.[5]
In contemporary times, the film has also been analyzed as a precursor of the MeToo movement for its depiction of the sexist behaviour that Suzanne was forced to endure in the workplace.[6]
A key scene in the film, in which Suzanne and Jacques are forced to pray the rosary in both English and French simultaneously, is considered one of the classic scenes in the cinema of Quebec.[7]
The song "Mommy Daddy", written by Richer and songwriter Marc Gélinas and performed by Michel and Gélinas for the film's soundtrack, was a hit,[7] which became one of Michel's enduring signature songs and was inducted into the Canadian Songwriters Hall of Fame in 2014.[8]
References edit
- ^ Gerald Pratley, A Century of Canadian Cinema. Lynx Images, 2003. ISBN 1-894073-21-5. p. 237.
- ^ Dane Lanken, "Two new film releases here show true rise of Quebec cinema". Montreal Gazette, February 5, 1972.
- ^ a b Charles-Henri Ramond, "Tiens-toi bien après les oreilles à papa – Film de Jean Bissonnette". Films du Québec, April 12, 2009.
- ^ Dane Lanken, "No-sex comedy heads for Quebec box-office record". Montreal Gazette, March 4, 1972.
- ^ a b Dane Lanken, "Comedy is best policy for Gilles Richer". Montreal Gazette, February 24, 1973.
- ^ Odile Tremblay, "Pour mieux lâcher les oreilles à papa". Le Devoir, November 4, 2017.
- ^ a b Mario Girard, "L’impressionnant parcours d’un homme discret". La Presse, April 2, 2016.
- ^ Lara Zarum, "Canadian Songwriters Hall of Fame". The Canadian Encyclopedia, October 26, 2020.
