James H. Street
Street was born in Lumberton, Mississippi, in 1903. As a teenager, he began working as a journalist for newspapers in Laurel and Hattiesburg, Mississippi. At the age of 20, Street, born a Roman Catholic, decided to become a Baptist minister, attending Southwestern Baptist Theological Seminary and Howard College. Unsatisfied with his pastoral work after ministering stints in Missouri, Mississippi, and Alabama, Street returned to journalism in 1926.
After briefly holding a position with the Pensacola, Florida Journal, Street joined the staff of the Associated Press. The AP position took him to New York, where he began freelance writing fiction. Hired away from the AP by the New York World-Telegram in 1937, Street sold a short story ("A Letter to the Editor") to Cosmopolitan magazine, which caught the eye of film producer David Selznick, who turned it into a hit film, Nothing Sacred. The Broadway musical, Hazel Flagg, was based on his short story, as well as the Dean Martin and Jerry Lewis-film Living It Up.
His success allowed him to write full-time, and throughout the 1940s he worked on a five-novel series of historical fiction about the progress of the Dabney family through the 19th century. The Dabney pentology--Oh, Promised Land, Tap Roots, By Valor and Arms, Tomorrow We Reap, and Mingo Dabney--explored classic Southern issues of race and honor, and strongly characterized Street's struggle to reconcile his Southern heritage with his feelings about racial injustice. The series was a critical and popular success, with several of the books being made into feature films. Street modeled characters in his Dabney family saga on Sam Dale, Newt Knight and Greenwood LeFlore.
Street also published two popular novels about boys and dogs, The Biscuit Eater and Good-bye, My Lady, both were turned into movies, and a set of semi-autobiographical novels about a Baptist minister, The Gauntlet and The High Calling, both were bought by Hollywood but never produced.
Street's short stories and articles appeared regularly in Cosmopolitan, The Saturday Evening Post, Collier's and Holiday.
Street died of a heart attack, in Chapel Hill, N.C., on September 28, 1954, at the age of 50.
He had been dubbed a “Reporter From the Pentagon” from a fellow radio journalist.
The title was given to him after he died on stage and “laid his head on the table like a baby,” according to a heartfelt letter written by a colleague who had shaken his hand moments after receiving an award. Scott Jarret’s letter was recorded by professional actors and made into the short film, "A Colleague’s Tribute to Southern Author James Street.” Included, is a gallery of 32 private family photographs. Several are also included in the short film produced by descendent Elliott Street and also Jerry Griffin of The Performance Gallery in Atlanta, Georgia.
- Look Away! A Dixie Notebook (1936)
- The Biscuit Eater (1939)
- Oh, Promised Land (1940)
- In My Father's House (1941)
- Tap Roots (1942)
- By Valour and Arms (1944)
- The Gauntlet (1945)
- Short Stories (1945)
- Tomorrow We Reap (1949)
- Mingo Dabney (1950)
- The High Calling (1951)
- The Velvet Doublet (1953)
- The Civil War (1953)
- Good-Bye, My Lady (1954)
- The Revolutionary War (1954)
- Pride of Possession [w/Don Tracy] (1960)
- Dumas, Ernest. "James Howell Street (1903–1954)". The Encyclopedia of Arkansas History and Culture. Central Arkansas Library System. Retrieved 16 April 2011.
- MacIntyre, Fergus Gwynplaine (2005). Doomed Girl Brings Glow to City. New York Daily News, April 11, 2005.
- Roberts, Lindsay (1999). James Street: A Biography. The Mississippi Writers and Musicians Project of Starkville High School. Archived June 22, 2004.
- Time Magazine Article (1953). Books: Who Saw Land First?.