Jheronimus Bosch—Visions of Genius

Jheronimus Bosch—Visions of Genius (Dutch: Jheronimus Bosch - Visioenen van een genie^[1]) was a 2016 art exhibition (13 February until 8 May 2016) at the Noordbrabants Museum in 's-Hertogenbosch, the Netherlands, about the work of Hieronymus Bosch, a native of 's-Hertogenbosch.^[2]

Seventeen of the world's known Bosch paintings were on display in the exhibition, along with 19 drawings.^[3]^[4] The Telegraph described the work of curator Charles de Mooij in gathering them as "a feat of stamina and silver-tongued curatorial cunning."^[4]

The exhibition presented Bosch as "a great realist"^[4] highlighting the realistically-painted detail in his surreal paintings, backdating the Renaissance in the process since Bosch painted half a century before Vasari published.^[3]

The years of intensive research by the Bosch Research and Conservation Project that preceded the exhibition, led scholars to demote two paintings belonging to the Prado, The Cure of Folly and The Temptation of St. Anthony. Long thought to be by Bosch, they are now regarded as having been painted by followers or by artists in Bosch's workshop.^[5]

However, as a result of the research, the small Temptation of St. Anthony belonging to the Nelson-Atkins Museum of Art in Kansas City, Missouri, long thought to have been painted by a follower, is now regarded as the work of Bosch's own hand.

A documentary film based on constructing this show was made in 2016. It is titled Hieronymus Bosch, Touched by the Devil.

Paintings edit

The following paintings by Hieronymus Bosch were on display:

Painting	Date	inventory number	Collection
The Adoration of the Magi	1474s	13.26	Metropolitan Museum of Art
Christ Child with a Walking Frame	1480	GG_6429	Kunsthistorisches Museum
Last Judgement	1486s	0000.GRO0208.I	Groeningemuseum Flemish Art Collection
St. John the Evangelist on Patmos	1489	1647A	Gemäldegalerie
St. John the Baptist in the Wilderness	1489	Inv. 8155	Museum of Lázaro Galdiano
Saint Christopher Carrying the Christ Child	1490s 1500s	St 26	Museum Boijmans Van Beuningen
Allegory of Gluttony and Lust	1490		Yale University Art Gallery
The Wayfarer	1490 1494	1079 (OK)	Museum Boijmans Van Beuningen
Death and the Miser	1494 1500s	1952.5.33	National Gallery of Art
Ecce Homo	1495s	1577	Städel
Wilgefortis Triptych	1497s	TS 2° p. n. 4	Doge's Palace
Ship of Fools	1500s	RF 2218	Department of Paintings of the Louvre
Christ Carrying the Cross	1500s	GG_6429	Kunsthistorisches Museum
Saint Jerome	1500	1908-H	Museum of Fine Arts, Ghent Flemish Art Collection
The Conjurer	1510s		Saint-Germain-en-Laye Civic Museum
The Hell and the Flood	1515	St 27 recto, St 28 recto St 27 verso, St 28 verso	Museum Boijmans Van Beuningen
The Haywain Triptych	1515	P02052	Museo del Prado
Passio Triptych	1530s	264, 265, 266	Museu de Belles Arts de València
The Temptation of St Anthony	1600s	P02049	Museo del Prado

References edit

^ "De expositie Jheronimus Bosch".
^ Kennedy, Maev (21 October 2015). "Dutch museum achieves the impossible with new Hieronymus Bosch show". The Guardian. Retrieved 16 March 2016.
^ ^a ^b "Painter of our greatest fears". The Economist. 27 February 2016. Retrieved 8 December 2018. For centuries the received wisdom was that the Renaissance started in Italy. Ever since Giorgio Vasari, one of the first art historians, wrote in 1550 of a new naturalness in painting—as opposed to medieval mannerism—the idea of the Renaissance has been linked with frescoes in Florence or the sinuous forms painted on the ceiling of the Sistine Chapel. Now, an important show of work by Hieronymus Bosch […] challenges that view. It shows how an artist usually associated with the medieval was using a naturalist style at least 50 years before Vasari. […] Of the 24 paintings known to be by Bosch, 17 are on display, while 19 of his drawings are also shown, making it the largest exhibition of his work to date.
^ ^a ^b ^c Stooke, Alastair (11 February 2016). "Hieronymus Bosch – Visions of Genius, Het Noordbrabants Museum, review: 'a tour de force'". The Daily Telegraph. Retrieved 16 March 2016.
^ Siegal, Nina (16 February 2016). "Prado Museum Rescinds Loan of Downgraded Hieronymus Bosch Works". New York Times. Retrieved 16 March 2016.

External links edit

Jhieronymus Bosch - Visions of genius
The Jheronimus Bosch Exhibition

[1] "De expositie Jheronimus Bosch".

[Kennedy-2] Kennedy, Maev (21 October 2015). "Dutch museum achieves the impossible with new Hieronymus Bosch show". The Guardian. Retrieved 16 March 2016.

[Painter-3] "Painter of our greatest fears". The Economist. 27 February 2016. Retrieved 8 December 2018. For centuries the received wisdom was that the Renaissance started in Italy. Ever since Giorgio Vasari, one of the first art historians, wrote in 1550 of a new naturalness in painting—as opposed to medieval mannerism—the idea of the Renaissance has been linked with frescoes in Florence or the sinuous forms painted on the ceiling of the Sistine Chapel. Now, an important show of work by Hieronymus Bosch […] challenges that view. It shows how an artist usually associated with the medieval was using a naturalist style at least 50 years before Vasari. […] Of the 24 paintings known to be by Bosch, 17 are on display, while 19 of his drawings are also shown, making it the largest exhibition of his work to date.

[StookeTourdeForce-4] Stooke, Alastair (11 February 2016). "Hieronymus Bosch – Visions of Genius, Het Noordbrabants Museum, review: 'a tour de force'". The Daily Telegraph. Retrieved 16 March 2016.

[SiegalDowngraded-5] Siegal, Nina (16 February 2016). "Prado Museum Rescinds Loan of Downgraded Hieronymus Bosch Works". New York Times. Retrieved 16 March 2016.

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Jheronimus Bosch—Visions of Genius

Contents

Paintings edit

See also edit

References edit

External links edit