|Birth name||Friedrich Kreisler|
February 2, 1875|
|Died||January 29, 1962
New York City, USA
Kreisler Guarnerius 1707
Earl of Plymouth Stradivarius 1711
Greville-Kreisler-Adams Stradivarius 1726
Kreisler Guarneri del Gesù 1730c
Kreisler-Nachez Guarneri del Gesù 1732
Huberman-Kreisler Stradivarius 1733
Lord Amherst of Hackney Stradivarius 1734
Kreisler Guarneri del Gesù 1734
Mary Portman Guarneri del Gesù 1735c
Hart-Kreisler Guarneri del Gesù 1737
Giuseppe Guarneri del Gesù 1740c
Kreisler Bergonzi 1740c
Jean-Baptiste Vuillaume 1860
Friedrich "Fritz" Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born violinist and composer. One of the most famous violin masters of his or any other day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although he derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the gemütlich (cozy) lifestyle of pre-war Vienna.
Life and career
Kreisler was born in Vienna, the son of Anna (née Reaches) and Samuel Kreisler, a doctor. Born of a Jewish heritage, he was baptised at age twelve. He studied at the Vienna Conservatory and in Paris, where his teachers included Anton Bruckner, Léo Delibes, Jakob Dont, Joseph Hellmesberger, Jr., Joseph Massart, and Jules Massenet. He made his United States debut at Steinway Hall in New York City on November 10, 1888, and his first tour of the United States in 1888–1889 with Moriz Rosenthal, then returned to Austria and applied for a position in the Vienna Philharmonic. He was turned down by the concertmaster Arnold Rosé. It is easy to understand why upon hearing a recording of the Rosé Quartet– Rosé was sparing in his use of vibrato, so Kreisler would not have blended well with the orchestra's violin section. As a result, he left music to study medicine. He spent a brief time in the army before returning to the violin in 1899, giving a concert with the Berlin Philharmonic conducted by Arthur Nikisch. It was this concert and a series of American tours from 1901 to 1903 that brought him real acclaim.
In 1910, Kreisler gave the premiere of Sir Edward Elgar's Violin Concerto, a work commissioned by and dedicated to him. He briefly served in the Austrian Army in World War I before being honourably discharged after he was wounded. He arrived in New York on November 24, 1914 and spent the remainder of the war in America. He returned to Europe in 1924, living first in Berlin, then moving to France in 1938. Shortly thereafter, at the outbreak of World War II, he settled once again in the United States, becoming a naturalized citizen in 1943. He lived for the rest of his life. He gave his last public concert in 1947 and broadcast performances for a few years after that.
On April 26, 1941, he was involved in the first of two traffic accidents that marked his life. Struck by a truck while crossing a street in New York, he fractured his skull, and was in a coma for over a week. Towards the end of his life, he was in another accident while traveling in an automobile, and spent his last days blind and deaf as a result. Nonetheless, he "radiated a gentleness and refinement not unlike his music," according to Archbishop Fulton J. Sheen who visited him frequently during that time (Kreisler and his wife were converts to Catholicism, received into the Church by the Archbishop himself). He died in New York City in 1962 and was interred in a private mausoleum in Woodlawn Cemetery, Bronx, NY.
Kreisler wrote a number of pieces for the violin, including solos for encores, such as "Liebesleid" and "Liebesfreud". Some of Kreisler's compositions were pastiches in an ostensible style of other composers, originally ascribed to earlier composers such as Gaetano Pugnani, Giuseppe Tartini, and Antonio Vivaldi. Then, in 1935, Kreisler revealed that he actually wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: "The name changes, the value remains," he said. He also wrote operettas including Apple Blossoms in 1919 and Sissy in 1932, a string quartet and cadenzas, including ones for the Brahms D major violin concerto, the Paganini D major violin concerto, and the Beethoven D major violin concerto. His cadenzas for the Beethoven concerto are the ones most often employed by violinists today.
He performed and recorded his own version of the first movement of the Paganini D major violin concerto. This version is rescored and in some places reharmonised. The orchestral introduction is completely rewritten in some places. The overall effect is of a late nineteenth century work.
Kreisler owned several antique violins by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. Many of his violins were made by Dr. Morris Spriggs of San Francisco.
On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.
- Bach Concerto for Two Violins in D minor, BWV 1043, with Efrem Zimbalist (second violin), and a string quartet. rec. January 4, 1915.
- Beethoven Violin Concerto in D major, Op. 61, with Leo Blech, Berlin State Opera Orchestra. rec. December 15, 1926.
- Beethoven Violin Concerto in D major, Op. 61, with John Barbirolli, London Philharmonic Orchestra. rec. June 16, 1936.
- Beethoven Sonata No. 8 in G major, Op. 30, No. 3, with Sergei Rachmaninoff, pF. rec. March 22, 1928.
- Beethoven Sonata No. 9 in A major, Op. 47, with Franz Rupp, pf. rec. June 17–19, 1936.
- Brahms Violin Concerto in D major, Op. 77 with Leo Blech, Berlin State Opera Orchestra, rec. November 21, 1927.
- Brahms Violin Concerto in D major, Op. 77 with John Barbirolli, London Symphony Orchestra, rec. June 18, 1936.
- Grieg Sonata No. 3 in C minor, Op. 45, with Sergei Rachmaninoff, pf. rec. December 14–15, 1928.
- Mendelssohn Violin Concerto in E minor, Op. 64, with Leo Blech, Berlin State Opera Orchestra. rec. December 9, 1926.
- Mendelssohn Violin Concerto in E minor, Op. 64, with Landon Ronald, London Symphony Orch. rec. April 8, 1935
- Mozart Violin Concerto in D major, K. 218, with Landon Ronald, London Symphony Orchestra, rec. December 1, 1924.
- Paganini Violin Concerto in D major, Op. 6 (recomposed by Kreisler), with Eugene Ormandy, Philadelphia Orchestra, rec. December 13, 1936.
- Schubert Sonata No. 5 in A major, D. 574, with Sergei Rachmaninoff, pf. rec. December 20, 1928.
- attrib. Vivaldi, RV Anh. 62 (composed by Kreisler) Violin Concerto in C major, with Donald Voorhees, RCA Victor Orchestra, rec. May 2, 1945.
- Apple Blossoms (1919) – operetta – co-composer
- Continental Varieties (1934) – revue – featured composer for "Caprice Viennois" and "La Gitana"
- Reunion in New York (1940) – revue – featured composer for "Stars in Your Eyes"
- Rhapsody (1944) – musical – composer.
|Wikimedia Commons has media related to: Fritz Kreisler|
- Fritz Kreisler at Allmusic
- Fritz Kreisler at the Internet Broadway Database
- Works by Fritz Kreisler at Project Gutenberg
- Free scores by Fritz Kreisler at the International Music Score Library Project
- An assembled edition of original pieces and arrangements for violin and piano by Fritz Kreisler. From Sibley Music Library Digital Scores Collection
- Fritz Kreisler String Quartet in a minor Soundbites & discussion of work
- Discography of Fritz Kreisler on Victor Records from the Encyclopedic Discography of Victor Recordings (EDVR)
- Recordings of Fritz Kreisler on the Library of Congress jukebox
|Awards and achievements|
Charles B. Warren
|Cover of Time Magazine
February 2, 1925
William Mackenzie King