Francis Jukes (1745–1812) was a prolific engraver and publisher, chiefly known for his topographical and shipping prints, the majority in aquatint. He worked alongside the great illustrators of the late eighteenth century. He contributed numerous plates to various publications of rural scenes and collaborated on several projects with the engraver and publisher Robert Pollard.
Born in Martley, Worcestershire in 1745. He became famous for his, engraving and aquatint work, particularly using a technique he developed with Paul Sandby (1725–1809), a Watercolourist. Sandby and Jukes combined engraving and aquatint from 1774 onwards. Notable work included Paul Sandby's "A New Drawing Book", published in 1779.
Jukes, at first an etcher and line engraver, later an aquatint engraver was based at 3 Hosier Lane in London, between Holborn and The City, insuring his premises for £50. He lived for 20 years at 10 Howland Street 1794–1808. Then 57 Upper John Street (now Whitfield Street), Fitzroy Square 1808–1812. He traded alone 1790–1802; later as Jukes and Sargent 1809–1811.
Another collaborator was the animal genre painter and draughtsman Charles Ansell (b. 1752) renowned for his graceful images of horses; his most celebrated work, "Life and death of a Racehorse", was engraved by Jukes in 1784.
In 1785 he produced a fine engraving of Vauxhall (outer London), drawn by Thomas Rowlandson (1756–1827), engraved by Robert Pollard (1755–1838) and Aquatinto by Jukes himself.
He recorded current events, "The Attempt to Assassinate the King" depicts the attempt made by Margaret Nicholson to kill King George III at the entrance to St. James's Palace on August 2, 1786.
From 1788 he began to develop much wider themes, illustrating "Views in the Pacific", based on sketches from Captain Cook's Third Voyage. He also worked on illustrations of New York. Also in the same year (1788) his engravings of the racehorse "Highflyer", "Foxhound Modish" and "Pointer Dash" after Sawrey Gilpin were produced as part of his continuing work with rural themes.
1796 saw two nostalgic engravings, "A Visit to the Uncle" and " A Visit to the Aunt" painted by Thomas Rowlandson in 1786. In the same year he aquatinted and published a view of the Serpentine River, Hyde Park, etched by Jacob Schnebbelie in 1787.
At the turn of the century Francis Jukes was fully engaged with rural themes, including Francis Nicholson's "Views of England", These Nicholson works appeared in "The Beauties of England and Wales", Author: Britton, John & Edward Wedlake Brayley - A book published in 18 volumes from 1801 to 1815.
He was also concurrently illustrating more of Edward Dayes work, a collection of "Views on The Wye" in 1797.
"Views of Ireland" (1800–1). A "View of Brielle" (in Holland).
In 1802 he was working on A. Campbell's "A Journey from Edinburgh to Parts of North Britain" aka "A Journey to Scotland",
The same year he produced a pair of high quality engravings of "A Two Year Old Ram" and "A Two Year Old Ewe" of the New Leicestershire Breed".
Francis Jukes died in 1812 at Upper John Street, London. His work is highly collectable.
- David Cropp, Martley at the Millennium (Dave Cropp Books Nov 1999)
|Wikimedia Commons has media related to: Francis Jukes|
- Paul Sandby
- The works of Francis Wheatley
- "A Country Racecourse" set
- Edward Dayes
- Sawrey Gilpin
- The Pytchley Hunt
- Thomas Walmsley
- Thomas Rowlandson. List of complete works
- "The Beauties of England and Wales"
- More on Nicholson and others
- Mount Vernon Hand coloured engraving
- Alexander Robertson
- Campbell's "A Journey to Scotland"