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File:Pitch-network diagrams oriented around climax pitches, revealing a nuanced parallelism between two excerpts in Schoenberg's Op. 11, no. 2.svg

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Summary

Description
English: K-net and hyper-K-net interpretations oriented around peak-point sonorities (PPS) in Schoenberg's Op. 11, no. 2. Created by Joshua Banks Mailman and published in his article "Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching" 2015
Date
Source Own work
Author Joshua Banks Mailman

"Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching" Joshua Banks Mailman, Music Theory Spectrum, Volume 37, Issue 2, Fall 2015, Pages 224–252, https://doi.org/10.1093/mts/mtv015

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Captions

K-net and hyper-K-net interpretations oriented around peak-point sonorities (PPS) in Schoenberg's Op. 11, no. 2 (source: J.B. Mailman, "Schoenberg's Chordal Experimentalism", 2015)

inception

15 October 2015

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current00:38, 3 January 2024Thumbnail for version as of 00:38, 3 January 2024308 × 561 (949 KB)Joshua Banks MailmanUploaded own work with UploadWizard
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