Étude Op. 25, No. 1 in A-flat major is a solo piano work composed by Frédéric Chopin in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on A-flat major.
Robert Schumann praised this work in a dissertation on the Études; calling it "a poem rather than a study", he coined for it the alternate name "Aeolian Harp".[1] It is also sometimes known as "The Shepherd Boy," following an unsupported tale by Kleczyński that Chopin advised a pupil to picture a shepherd boy taking refuge in a grotto to avoid a storm playing the melody on his flute.[2]
Structure edit
This étude comprises a right-hand melody and supportive bass line, the accompaniment consisting of broken chords, provided by the inner voices of both hands, usually in semiquaver-tuplets. The left hand introduces polyrhythms from time to time. The principal melody is presented by the right hand on the first note of each group of sextuplets, with occasional counter-melodies provided by the inner voices.
The distinctive theme is presented in A-flat major. Through metamorphic modulations to closely related keys, it eventually arrives at a brief episode in the remote key of A major, but culminates with an intense climax in the home key, and a momentary reference to the original thematic material, which flows easily into the coda.
Technique edit
Technically, the piece requires dexterity to play the six-tuples fast enough, and to be able to move the hand across intervals as large as a 13th in the middle. The inner voice figures consist of repeated figures of arpeggiated chords. Schumann commented on Chopin's subtle emphasis on certain melodies throughout this piece.[3] One difficulty the étude presents is the voicing of the inner counter-melodies. The three annotated studies by Leopold Godowsky on this etude exploit this aspect of this piece and also introduce the student to further possibilities in the Chopin original.[citation needed]
Notes edit
- ^ Schumann, 12 Etuden für Pianoforte von Friedrich Chopin, in: Neue Zeitschrift für Musik, Leipzig, December 22, 1837, p. 199–200. Quoted by Kullak, quoted by James Huneker in Chopin: the Man and His Music (1900).
- ^ Johnson, p. 80
- ^ "Chopin Etude 25.1", In the Hands. March 13, 2007.
References edit
- Ashton Johnson, (reprinted 2010), A Handbook to Chopin's Works. (in Google Books).
External links edit
- Analysis of Chopin Etudes at Chopin: the poet of the piano
- Études Op. 25: Scores at the International Music Score Library Project
- Sheet music available in .pdf or LilyPond format, from Mutopia.
- Op. 25, No. 1 played by Alfred Cortot
- Op. 25, No. 1 played by Arthur Rubinstein
- Op. 25, No. 1 played by Claudio Arrau
- Op. 25, No. 1 played by Dino Ciani
- Op. 25, No. 1 played by Géza Anda
- Op. 25, No. 1 played by Jorge Bolet
- Op. 25, No. 1 played by Ivan Moravec
- Op. 25, No. 1 played by Vladimir Ashkenazy
- Op. 25, No. 1 played by Maurizio Pollini
- Op. 25, No. 1 played by Youri Egorov
Performances (video)
